Once upon a time, the release of a new Disney movie in theaters would be a BIG event — the type your whole family would set aside time to experience together. But is that still happening?
The COVID-19 pandemic had a tremendous impact on the movie industry as a whole. And some recent Disney films simply haven’t been raking in the dough as much as some may have expected. One example could be Indiana Jones and the Dial of Destiny, the latest film in the massive franchise. It’s been YEARS since the last Indy film, so you might have expected this one to hit theaters with a BANG…but that hasn’t quite been the case.
Opening Weekend Woes
Right from the get-go, things weren’t looking all that great for Indiana Jones. According to Box Office Mojo, this latest film hit around $60,368,101 at the domestic box office during its opening weekend. Anthony D’Alessandro at Deadline called this a “disastrous result for the finale to a historically beloved franchise film.”
That $60 million figure puts its opening weekend BELOW Solo, Transformers: Rise of the Beasts, and even the last Indiana Jones film — Indiana Jones and the Kingdom of the Crystal Skull.
Since that time, the film has brought in some more cash — totaling around $308,880,989 worldwide as of July 21st, 2023 (per Box Office Mojo). So it isn’t as though the movie hasn’t brought in any money, but it is significantly less than what some would have expected out of this popular franchise, so what went “wrong” here? Well, it could be a number of things.
Not-So-Great Ratings and Competition
For starters, the film hasn’t received the most positive ratings. It initially premiered at Cannes to “decidedly mixed results” per The New York Times. Their critic called it a “disappointment,” saying it played more like a “greatest-hits reel” and utilized “almost every adventure-film cliche.”
As of the latest updates, it has a 69% Tomatometer score and 88% audience score on Rotten Tomatoes. That places it BELOW the Tomatometer score for Kingdom of the Crystal Skull and all of the other Indiana Jones films.
A critic for The New York Times shared that the film is “as silly as you expect and not altogether as successful as you may hope.” Some have pointed out the film’s shortcomings but still found that there was “enough” to “make it well worth seeing Indiana Jones ride into the sunset.” (CNN Entertainment)
Whether you’re reading the negative reviews, the mixed ones, or simply looking at that 69% Tomatometer level, some of the less-than-stellar opinions out there might be enough to convince some people to skip watching the latest film in theaters. With the expectation that the movie will eventually be available to stream on Disney+ or even be available to buy or rent on digital platforms, some might wonder why it would be worth the cash to pay to see it in theaters now.
Another factor that could be at play is the upcoming films on the schedule. Many folks have limited budgets for extra activities like watching movies. With films like Oppenheimer and Barbie receiving LOTS of press (and positive reviews), some may have felt like they would rather save their cash to buy tickets to those films.
David A. Gross, from the consulting firm Franchise Entertainment Research, told Variety that people may be “ready for the next big thing,” and films like Mission Impossible 7, Oppenheimer, and Barbie could be “it.”
A MASSIVE Budget Makes Things Harder
Another complication that might be impacting the overall profitability of this latest Indiana Jones film is its budget. Deadline reports that a key source told them the film cost a “mindboggling $300M-plus,” and that is before an estimated $100 million in estimated marketing.
Reportedly, the cost is so high due to COVID-19’s impacts on production (things had to start and stop), Harrison Ford’s fee, fees paid to Steven Spielberg, and more.
The latest global results from the box office seem to indicate that the film has at least broken even with its estimated $300 million cost, but that high of a budget can make it all the more difficult to reach a level of even relatively small “success” from a financial point of view.
Disney has been working to cut back on some of its spending, but since major movies like this take years to develop, Variety points out that noticeable differences might not be seen until 2026 or even past that. Paul Verna, principal analyst at Insider Intelligence, said “It takes a long time for a big ship like Disney to change course.”
The Never-Ending Streaming Problem
As we noted a bit above, the never-ending streaming problem is something that could be impacting this film too. Nicholas Barber at the BBC argued, “All four of Indiana Jones’s previous adventures are currently available on Disney+ at the touch of a button, so why buy tickets to see an inferior version?”
Plus, with so many shows and straight-to-streaming films being made with high-profile actors, folks may feel less and less inclined to go into the theaters.
Couple that with the expectation many have that it’ll simply become available via a digital or streaming service soon, and the way that many may have become used to seeing films in their homes (due to the impact of the COVID-19 pandemic) and you’ve got a recipe for people staying home except to see those one or two HUGE films they feel are worth venturing out for.
As CNN puts it, “consumers who have grown increasingly accustomed to watching movies at home…combined with the lingering effects of the Covid pandemic [can] result in major disappointments at the box office.”
The Problem Goes Beyond Indy
But it’s not just Indy who is experiencing issues at the Box Office. CNN notes that 2023 will be remembered as a “cruel summer,” partially due to the strikes in place but also due to some “setbacks” for studios at the box office, including The Flash and Elemental.
According to Box Office, even Mission: Impossible — Dead Reckoning Part One didn’t hit things off as well as some might have hoped, earning $54,688,347 in its opening.
The New York Times shares that domestic ticket sales are down about 20% from where they were in 2019.
Other Struggles
When it comes to Indiana Jones specifically, David A. Gross, a film consultant, shared “In general, audiences are interested in more, more, more of the same, until they start getting satisfied and excited about the next thing.” (The New York Times) It’s possible that this film — being the 5th in the franchise — was just the ending point, the point at which audiences felt like they were “done” with this franchise, like the franchise had done all it could do…for now, anyway.
Another issue could be that the film was potentially aimed more at long-time Indy fans and not enough at new audiences. Deadline argues that there were “no efforts” to make it appealing to those under 40. Reportedly, Disney has said that 42% of the audience (so less than half) was under 35 for the movie.
According to Deadline, one of the biggest problems the film may have also faced is that its toughest competition is often…itself. Since some of the past Indiana Jones films have blown audiences away and set the standard so high, it can be difficult for critics to not compare the latest film to those classics. That can make it easier for the movie to fall short when the films it’s being compared against are so beloved.
What do you think? Did you make an effort to see the film in theaters? Are you a fan? Tell us in the comments.
We’ll continue to watch for updates on the movie, how future Disney movies perform in theaters, and what steps Disney takes to address how movie-going has really changed in recent years. Stay tuned for all the latest!
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Have you seen the latest Indiana Jones movie? Are you a fan? Tell us in the comments!
Marcelo Machado says
I loved the movie.
And that includes all the references to the other Indy movies.
I am 65 yo and that was the first time I went to a theater since February 2020.
Tim says
Yikes! With a $300+ million dollar budget plus $100 million marketing means Disney paid over $400 million to produce the movie. The theaters receive approximately half of the box office – so Disney’s share would be about $154 million (of the $308 tickets sold) minus the $400 cost of making the movie and you get a loss of about $246 million! HUGE loss…
Stephen Fox says
1) I simply don’t have time to make time to go out to the theater.
2) My home 4k and 7.1 system is at least on par with the quality of my local small town theaters
3) For the cost of two tickets I can own the disc and watch it whenever I want
Chris says
Studios need to agree cinema exclusivity for minimum 12m before being “free” on a streaming service (you could still pay extra to watch a digital version after 6m) It’s the only way.
Netflix and Amazon won’t buy into it for obvious reasons but let them do them….they themselves are more focussed on tv shows anyway as that maintains the subscribers
Christine says
I actually liked the movie, but it had one or two too many chase scenes (a little boring after a point). Loved the beginning and the end once they started actually searching. The middle part is where I felt it was weaker, happy I saw it but I could have enjoyed it just as much at home.
Rocky says
Disney insider gave me a $5 coupon and with a bargain Tuesday day I splurged on dbox seats . I liked it. It wasn’t fabulous thought.
Luis De Leon says
I saw the movie in theaters and after 40 minutes I realized that the movie had extracted scenes from previous “classic” Indiana Jones movies making this last hoorah a mere fan service. Although the plotline was new it felt like it didn’t break from the mold of its antecesors and resulted in an enjoyable, but an almost predictable tale. I would rate this movie an 8/10. I loved it but it certainly not the ending I hoped for this franchise.
RandyC says
These analysts provided a great assessment for low box office sales for Indy 5. We have not seen it, electing to wait for it to be on Disney +. There is a built-in barrier to great new movie box office performance now, with Disney also owning Disney +. I think if this movie were rated higher, and more people proclaimed that “it was fantastic and you must see Harrison’s last Indiana Jones movie,” we probably would have gone to see it at the theater. We are tentatively going to see the new Haunted Mansion movie at the theater. It looks interesting. Should reviews come back poor, however, we’ll probably just wait for Disney +. Neither of these movies are little kid movies so Disney’s political agenda is less of a concern. Pre-screening not required because we aren’t taking our young nieces and nephews.
Greg says
Part of Disney’s problem was created by going woke. People want to punish Disney by staying away from their movies and parks.
Chrystie says
I always try to see a movie opening weekend if I can. I saw this and thought it was a good popcorn movie. However, I then tell my daughter to wait until it comes out on Disney+ because she does have limited funds and I don’t want her wasting them on a movie that’s only so-so.
(and could people please stop saying Disney’s problems are because they went woke. do you even know the definition for woke? the definition is actually “aware of and actively attentive to important societal facts and issues (especially issues of racial and social justice)” Being aware of import societal facts and issues doesn’t seem like a bad thing.
Scott says
To suggest that the movie was not successful because they gave they catered too much to Indiana Jones fans simply proves that they don’t know what Indiana Jones fans actually wanted.
Gloria says
The problem was that this move was not about Indiana, it was way too much about the added female character, who I thought was very unappealing. She was physically unattractive, and quite full of herself. The whole problem of this movie can be summed up by her knocking out Indiana with one punch. Who can believe (or wants to see) their favorite hero be knocked unconscious by a punch by a 100# girl? I know it’s the movies, but I found that particular scene insulting to those of us who remember and love Indiana Jones. No, I’m not some misogynistic old guy – I’m just a regular woman. I loved Ripley in the Alien moves. Why? Because she was a an appealing and totally believable female hero.
Traci A Sandt says
I loved it until the female was the saving factor in the storyline. Indy is supposed to be the hero no matter how unrealistic it is.